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Mineral silicate paint: the finish that lets the wall breathe

It does not form a film. It bonds chemically with the render, lets water vapour out and ages slowly, without peeling. It is the natural choice for Lisbon's old walls.

Pink Lisbon façade seen from below, with rows of windows and balconies
Salmon-coloured façade with an iron balcony under a cloudy sky

How it works

A paint that becomes part of the wall

An acrylic paint dries and forms a film on top of the wall, like a skin. A silicate paint reacts with the minerals in the render and becomes part of it. The process is called silicification.

The result is a mineral, microporous layer that lets water vapour through but stops the rain.

  • Vapour permeable: moisture in the wall can get out.
  • It does not peel, because there is no film to come off.
  • Mineral pigments, stable in sunlight.
  • Naturally alkaline, unfriendly to mould and algae.
  • A deep matt, with no plastic sheen.

Comparison

Mineral or acrylic?

Neither is better at everything. The wall decides.

Mineral silicate paintAcrylic paint
How it bondsReacts with the render and becomes part of itForms a film stuck to the surface
Water vapourPasses freelyPartly held back
How it agesWears away slowlyCan blister and peel in sheets
Where it works bestLime and cement renders, stone, concrete, old wallsSurfaces already painted with plastic paint, gypsum plaster, wood and metal
AppearanceMineral matt, stable coloursMatt to satin, a very wide colour range
ApplicationNeeds full masking and a trained handMore forgiving

Plainly

Where we use it and where we do not

  • Façades with mineral renderLime, cement or mixed: the surface these paints were invented for.
  • Old buildingsThick walls that have always exchanged moisture with the air and need to keep doing so.
  • Interiors prone to dampBasements, ground floors and north-facing walls, once the cause has been dealt with.
  • Not on gypsum without preparationGypsum plaster needs its own system. We tell you when acrylic is the right choice.
  • Not on wood or metalThere we use enamels and primers suited to each material.
  • Not on peeling paintWhat has lost its grip comes off first. No paint can hold on to a loose base.
Basement bedroom before the work, with plaster damaged by damp below the window
Before: a basement bedroom with damaged plaster. It was made good and painted with KEIM Innoprim and Innostar.

The maker

Why we work with KEIM

KEIM has made silicate paints since 1878 and remains the reference. We use Soldalit on façades and Innostar indoors, following the manufacturer's data sheets.

On an exterior the sequence is always the same: biological treatment with its contact time, fixative on chalking areas, a diluted base coat and the finish.

See a job done with a KEIM system

The craft

The care these paints demand

A badly applied mineral paint looks worse than an acrylic one. That is why the hand matters.

  • Full maskingSilicate splashes permanently etch glass, aluminium, stone and chrome.
  • Whole sections in one goSilicate sets chemically and cannot be touched up. Each wall section starts and ends on the same day.
  • Synthetic toolsThe high pH destroys natural bristle. Only synthetic brushes and rollers.
  • A checked substrateMoisture measured and the old paint identified before choosing the system.

Questions about mineral paint

Is it more expensive than ordinary paint?

The material costs more per litre and application takes more care. In return, there is no film to peel and it tends to need maintenance later. In the proposal we show the difference so you can decide.

Can it go over old paint?

Over renders and mineral paints, yes. Over sound plastic paint, there are sol-silicate systems made for that. Over peeling paint, no: that comes off first.

Are there many colours?

The palette is large, with soft, earthy tones that look very good in Lisbon. Some very saturated colours do not exist in mineral form.

Does it work indoors?

Yes. It gives a beautiful matt and lets the wall breathe, which helps in rooms prone to damp.

Show us the wall

Two photos and one sentence are enough to get started. We tell you what we think and book the visit.

Or call: +351 917 230 287
Jacaranda in bloom beside a Lisbon façade
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